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Download E-books Critical Race Theory and Copyright in American Dance: Whiteness as Status Property PDF

The trouble to win federal security for dance within the usa was once a racialized and gendered contest. Picart strains the evolution of choreographic works from being federally non-copyrightable to turning into a class possibly copyrightable less than the 1976 Copyright Act, in particular studying Loíe Fuller, George Balanchine, and Martha Graham.

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