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By C. Nadia Seremetakis

Based on years of fieldwork in either rural and concrete Greece, The final Word explores women's cultural resistance as they weave jointly different social practices: improvised antiphonic laments, divinatory dreaming, the care and tending of olive timber and the useless, and the inscription of feelings and the senses on a panorama of people, issues, and locations. those practices compose the empowering poetics of the cultural outer edge. C. Nadia Seremetakis liberates the research of gender from reductive binary versions and pioneers the choice point of view of self-reflexive "native anthropology" in ecu ethnography.

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